The reason for my blogging hiatus can be found in the title of the post. That's right. World building and swearing. Who'd a thunk it could take months from your life? Maybe swearing really is evil.
I have been engaged in an all out revising war with my manuscript. I had a deadline to get a revised copy my editor (yes I made it, just under the wire) and so began the war. The trouble started while brainstorming 12th Dimension book 3 with my writers group. We had just read and discussed the first draft of book 2 and discovered how much set up was lacking in order to provide book 3 with a satisfying conclusion. This meant R.A.G.E. itself needed to be put under a major remodel if I was to ever be able to write book 3. This involved taking a major character with a bare bones back story and giving her her head.
Yes, I had to descend into the mind and the alternate-dimensional world of this character and build her world. It went well, honestly, as much as it scared me. I enjoyed the world building. I loved/hated writing the character (she's psychotic and I didn't like being in her head) and I sent off the new chapters to my writers group.
They read and mere weeks before my deadline, we discovered some holes. As I mentioned above, this character I've been fleshing out is psychotic. And she swears. A lot. The trouble was, my writers group didn't feel like it fit in her world. In my new world of science, logic and for the most part non-religious, the expletives we use in our society whether they be religious terminology, or biological terminology, simply didn't work. As one of my Alpha readers stated, "Swearing is cultural and you've created a different culture."
No, this is not about propriety or offending people's sensibilities. This is about being true to your world. So began weeks of research concerning this topic. My aforementioned brilliant-Alpha-reader suggested looking up one of the Writing Excuses podcasts (go and listen because it took me an eternity to find myself) about religion and world building.
What it came down to is this: Find something that your world's society cares a lot about . . . and take it in vain.
Electricity/power is of supreme importance, lack thereof would be worth swearing over. Science/facts are important, philosophy and possibly religion would be looked down on. (I'd love to add some of my made up cuss words in this post, but I won't. Mostly because I'm getting more protective of my novel the closer it creeps to publication.)
What this exercise really did for my novel, (aside from discovering and creating some cool words for my characters to yell at each other) was that it made me dig deep into my world and discover what matters most to the society I've created. I had to think of history, wars, leaders, conflicts, religions(or lack thereof) and build it from there. It gave depth to the surface story I already had on the page. It gave my characters deeper motivations and their opposition clear motivators as well. And it made the make believe world feel real and ancient. And after all, isn't that what a fantasy/sci-fi writer is going for?
All that from the need for my characters to swear authentically. Who'd'a thunk, eh?
Showing posts with label rewriting. Show all posts
Showing posts with label rewriting. Show all posts
Tuesday, June 5, 2012
Friday, December 16, 2011
The Easy and The Hard
Since my last post things have been up and down and all over the map. After the tragedy of losing Trey I spent many weeks not being myself at all. It wasn't until I thought maybe another dog in the house would help that I searched animal shelters and classifieds until I found this little guy. 
Winston is a Wire-hair Fox Terrier and he has restored balance to my life.
So that was an up. Then just before Thanksgiving and while my husband was on a plane home from Germany, I got really sick...again. I'll compare it to earlier this year when I'd had to get my gallbladder removed except that I no longer had a gallbladder. So after pretending for a good 12 hours that I only had a bad flu bug, my husband finally gets home and I give him a hug and weepingly ask him to take to to the emergency room. After the nice nurses had given me a bed and some morphine, I sent my jetlagged husband home and waited for the results which I hoped had nothing to do with my missing gallbladder. The findings: my appendix needed to come out now!!
I know, I know. Two unrelated surgeries in one year. Both within a week of a major holiday. I'm a little concerned about what my body is planning for Christmas.
So that was the down. A few days later we hopped in the car as a family and drove to California to have Thanksgiving dinner with my Grandmother. It was a wonderful time to see family I hadn't seen for a long time, even if it was in a partially drug-induced haze. What a great upper.
While all this was happening, I was doing my best to continue with my writing. It's almost 2012, the year that R.A.G.E. will be released and I still feel like it's not even close to being ready. My editor suggested that my book wasn't beginning in the right place and that I should write a chapter about what happens before my current beginning. I thought this was funny at first because I'd deleted the first chapter over a year ago in order to start the novel in the middle of the action. What I learned was that people need a reason to care that the main character is being chased or shot at before you can do any of those things to them.
The trouble was, that chapter I'd deleted hadn't benefited from the massive amounts of writing knowledge I'd collected after it had been sent to be quietly buried in the file graveyard lovingly entitled "trashed writing". It was really no good. I had to start from scratch.
This was actually fun on many levels. I really got to examine my main characters as people would who were meeting them for the first time. I even surprised myself by writing in tiny snippets of backstory that had hitherto not existed, helping to round out characters I already thought were rounded.
And so the massive edits continue although I'm sneaking time when I can to work on the third and final book in my 12th Dimension series. My intention is to have all three books written before the first one comes out.
I'll leave you with this quote I borrowed from a friend. I want everyone to think of it every time you write a sentence, read a book, or even look at a book across the way in some big box store.
Easy reading is damn hard writing. --Nathaniel Hawthorne
And so it is.

Winston is a Wire-hair Fox Terrier and he has restored balance to my life.
So that was an up. Then just before Thanksgiving and while my husband was on a plane home from Germany, I got really sick...again. I'll compare it to earlier this year when I'd had to get my gallbladder removed except that I no longer had a gallbladder. So after pretending for a good 12 hours that I only had a bad flu bug, my husband finally gets home and I give him a hug and weepingly ask him to take to to the emergency room. After the nice nurses had given me a bed and some morphine, I sent my jetlagged husband home and waited for the results which I hoped had nothing to do with my missing gallbladder. The findings: my appendix needed to come out now!!
I know, I know. Two unrelated surgeries in one year. Both within a week of a major holiday. I'm a little concerned about what my body is planning for Christmas.
So that was the down. A few days later we hopped in the car as a family and drove to California to have Thanksgiving dinner with my Grandmother. It was a wonderful time to see family I hadn't seen for a long time, even if it was in a partially drug-induced haze. What a great upper.
While all this was happening, I was doing my best to continue with my writing. It's almost 2012, the year that R.A.G.E. will be released and I still feel like it's not even close to being ready. My editor suggested that my book wasn't beginning in the right place and that I should write a chapter about what happens before my current beginning. I thought this was funny at first because I'd deleted the first chapter over a year ago in order to start the novel in the middle of the action. What I learned was that people need a reason to care that the main character is being chased or shot at before you can do any of those things to them.
The trouble was, that chapter I'd deleted hadn't benefited from the massive amounts of writing knowledge I'd collected after it had been sent to be quietly buried in the file graveyard lovingly entitled "trashed writing". It was really no good. I had to start from scratch.
This was actually fun on many levels. I really got to examine my main characters as people would who were meeting them for the first time. I even surprised myself by writing in tiny snippets of backstory that had hitherto not existed, helping to round out characters I already thought were rounded.
And so the massive edits continue although I'm sneaking time when I can to work on the third and final book in my 12th Dimension series. My intention is to have all three books written before the first one comes out.
I'll leave you with this quote I borrowed from a friend. I want everyone to think of it every time you write a sentence, read a book, or even look at a book across the way in some big box store.
Easy reading is damn hard writing. --Nathaniel Hawthorne
And so it is.
Labels:
appedicitis,
editing,
rewriting,
wire-hair fox terrier,
writing,
writing is hard
Tuesday, August 17, 2010
It's too dang crowded, I can't see the end . . .
Today my two youngest children (2 and 4) dragged out an old toy kitchen set that's been residing in our basement since their older sister outgrew it four years ago. Seeing an opening for quiet writing time while they played with their "new" toy, I put it in the two-year-old's room, listening to them play quietly with the single piece of plastic pizza that had survived the four years of abandonment. Hoping for more than ten minutes of writing time, I scavenged around the house for other toy dishes, toy utensils and plastic food. I was very pleased with myself as I set out the toys for them and then settled down with my laptop to do some serious writing. Not more than ten seconds later, without a single new word to my name, I hear the screaming and wailing telling me the kidlets are engaged in an all out war over the new items. So I settled it, found a couple more things and pulled out my laptop again. Screams, followed by some pushing and if I were to gauge by the the strange crescent-shaped mark on the four-year-old's arm, there was some biting as well.
So what happened between the twenty or so minutes they played happily with the single piece of pizza and the ten seconds they played with everything else. I guess things just got too crowded--too many cool things were put into play.
This got me thinking about my current writing quandary. There I was happily typing along a singular plot line, excited about my dear protag going from point A to point B with this motivation and that problem. Then I start working on the climax and the winding up and realize that things have become too crowded. I've seriously thought of screaming, pushing and biting but being a mature adult have restrained myself (ahem, those aren't bite marks on the screen, I swear!).
I kinda feel like perhaps Stephan King felt when he got somewhere toward the end of The Stand and realized things had gotten too crowded with too many story lines going in a too many directions. What did he do? Apparently he blew up half his characters (I'm only halfway through so I'm going to take his word for it until I get there).
Now blowing up half my characters isn't going to work for me, first of all, I like them way too much and have worked in hints throughout the novel that their lives are vital to the climax, and second of all, I simply don't much care for killing characters (not that you'd know it if you read it).
I did come to a conclusion today that since moving forward is proving impossible, I need to go back and untangle the first draft rats nest, working out all the character's wants and motivations. Hopefully then, I'll be able to see the climax come together in the way I want with all the loose ends tied up.
Before I do that, however, I should probably go and untangle the children from that kitchen set and remove everything except that single piece of plastic pizza.
So what happened between the twenty or so minutes they played happily with the single piece of pizza and the ten seconds they played with everything else. I guess things just got too crowded--too many cool things were put into play.
This got me thinking about my current writing quandary. There I was happily typing along a singular plot line, excited about my dear protag going from point A to point B with this motivation and that problem. Then I start working on the climax and the winding up and realize that things have become too crowded. I've seriously thought of screaming, pushing and biting but being a mature adult have restrained myself (ahem, those aren't bite marks on the screen, I swear!).
I kinda feel like perhaps Stephan King felt when he got somewhere toward the end of The Stand and realized things had gotten too crowded with too many story lines going in a too many directions. What did he do? Apparently he blew up half his characters (I'm only halfway through so I'm going to take his word for it until I get there).
Now blowing up half my characters isn't going to work for me, first of all, I like them way too much and have worked in hints throughout the novel that their lives are vital to the climax, and second of all, I simply don't much care for killing characters (not that you'd know it if you read it).
I did come to a conclusion today that since moving forward is proving impossible, I need to go back and untangle the first draft rats nest, working out all the character's wants and motivations. Hopefully then, I'll be able to see the climax come together in the way I want with all the loose ends tied up.
Before I do that, however, I should probably go and untangle the children from that kitchen set and remove everything except that single piece of plastic pizza.
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